"I am interested in thinking of this film as an object of creation in a broader sense, not needing to categorize it or label it.

It happens as a reflection of my vision of a reality, and of the full assumption of the personal perspective of that approach, based on the mixture of possibilities and artistic languages that populate my imagination.

There is the choice assumed from a point of view, from a way of looking at a certain reality, to think, structure and show it to others.

It's a film that focuses on people above all. In matters of memory, file, local identity, and connection to an industry that relocated.

I look at the mechanical and industrial relationship seen on the feminine side.

The relationship to which they usually give the man-machine name, here transposed into the woman-machine interface, in a more complex sense than only the immediate and mechanical connection of the day to day, and the execution of a function.

I run routines and memories as a way of approaching the history of a region.

I look through the eyes of the workers, the many women who worked in the now-ruined factories.

They are the mirror of a reality, of a community, and representatives of a collective memory that brings everyone together regardless of gender issues. "